There was a time when I would try to coax every last bit of detail out of scene - from the brightest highlights to the darkest shadows. Lacking well lit scenes, I often used to take multiple exposures and mash them together such that you could peer into every nook and cranny if you so desired. It's interesting how things change with one's sense of aesthetics over the years. More often than not these days, when I'm out photographing for myself I'm inclined to seek out a scarcity of light. Those areas of darkness with just enough light to carve out a form. That's when things get interesting lately. It doesn't matter if the rest of the scene falls to blackness - more the better if it does. Maybe I've seen too many washed out black and whites lately. I'm taking things noir. Blacks crushed. Don't be afraid of the dark.